She Doesn’t Mourn Well

Grace there used to be in the mourning
Banded arms, veil-shrouded tears
Private yet publicly seen scenes
Black cars with black windows
To hold the bleakness inside

So that it doesn’t leak out and get on passers-by

Why did it have to come the year she understood
there is no afterlife
This is life, get after it
One per customer, one size fits most
Unless you have the imagination for two

Which proves good, since she is one now.

Why did he write for forever preserved in words, her manna
His inked fingerprints staining the paper
“I hope this is your best year yet”
In the year that all colors turned to ash, heart turned into
Endless forms, mailings, courtrooms

The vagaries of dead life

Why did people say ‘he’s watching over you’ like
That is comforting – oh, to comfort them, that’s right
Because love can barely bear to watch the loved
Suffer, fall apart, spin out of control, lay staring at the ceiling
Mumbling like a mad person alone in the dark

Maybe they think he went to hell.

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Humanity Leaves

Humanity Leaves

Let me leave the earth better than I found it
By wearing the leaves of listening and empathy
Growing, unfurling, receptive in form and fashion

Let me leave others more comforted than I found them
By sharing the leaves of their pain and longings
Collecting, preserving, validated in their proffering

Let me leave my children deeper than I ever was
By planting the leaves of wisdom and grace
Teaching, sharing, enunciated in my living

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The Soliloquy of Sea Glass

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The Soliloquy of Sea Glass

Discards we are, emptied of value
Cast aside, forgotten, meaningless
Our varied hues bartered no regard
In being retained, kept or refilled.

Some shattered while some whole
Stripped of purpose, riding hither
And yon upon the global currents
Which we could not control

Our original intent was consumed
Then invalidated by our abrupt release,
That weighted existence forced
A downward path into the dark
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Sheet Music

Sheet Music

If I were a melody in your mind, how would you write me?
In Adagio perhaps, as in the best way to approach.
Would you linger over Staccato, to match your heartbeat in my presence?
And although some may prefer Delicato,
It seems best paired with Appassionato, as two hearts enfold into one.

With tempo written, how would then you elicit my sound?
Gentle finger strokes upon ivory, scaling the highs and lows
Lovingly drawing a bow long and slow across heartstrings, echoing
Would you form the strong embouchure required of the reeds and brass
Or be the pounding, driving force holding together the pace found in the percussion line.

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Juggle Not

Juggle Not

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I was busy juggling all of the expectations

So I didn’t see what there was to see

Or where I was going

But only where I thought you thought I should be going

 

My traveling clothes were always ready

For whatever you could envision

“I’m there” I’d cry excitedly and off we’d go

To someplace foreign and exotic designed by your mind.

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